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Her most recent project? An expansion into handbags for the Spring/Summer 2017 season, with totally beach-approved styles in a classic summer material: straw. We caught up with กระเป๋าสตางค์ zara ของแท้ Kim on her new range, being in the biz for almost 20 years, and what she has planned next. Eugenia, why did you choose to expand into handbags? After the launch our shoe collection, bags seemed like a natural progression. As the กระเป๋า charles & keith สิงคโปร์ leader of straw hats, with it being our largest category for Spring/Summer, straw bags felt like a logical next step. I wanted to create fun bags that were niche and specific to the brand. Tell us about the inspiration for the first collection. The inspiration for Spring/Summer is Cuba, past and present, กระเป๋าแบรนด์ sale so straw bags felt meaningful within that theme. The Flavia hat-shaped bag is inspired in part by my ongoing obsession with surrealism. Like Magritte’s “Ceci n’est pas une pipe” (This is not a pipe), the Flavia, though shaped like a hat, is not a hat. Due to the success of the handbag capsule collection, we added felt hat-shaped bags for FW17, and, for SS18 we have increased styles for a full range of handbags.
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students in a collaborative format in East London at the school’s new show venue in Old Spitalfields Market. The show, which took place on Monday night, was organized into six acts and featured collections from 46 students studying footwear, accessories, jewelry, sportswear, photography, styling, women’s wear and men’s wear. Looks ranged from the abstract to the theatrical. Bespoke tailoring student Will Morgan and fashion jewelry student Simpson Ma kicked off the show with a cool lineup that took its cue from fishermen and folklore. Using secondhand fabrics such as French linen tablecloths, 19th-century indigo Japanese futon covers and technical knits, the duo showed a long tailored patchwork coat in various shades of gray and blue, with hand-embroidered appliqués. This was worn over workman-style trousers. They layered a cropped denim vest over an oversize brown knit sweater and wide-leg cream trousers. Both looks were topped off with a deconstructed bucket hat. Fashion design and development student Hiroshi Goto looked to post-war Japan, fusing Japanese architectural shapes in an opulent floor-sweeping red gown with cascading layers of ruffles, while fashion design technology men’s wear student Alice Constance Beavis paired a gray collarless coat with a black button-down blouse and white roomy trousers. Fashion design technology women’s wear student Julie Emma El-Bacha referenced pre-Raphaelite art and John Everett Millais’ painting “Ophelia 1852” and mixing organzas, georgettes and different fabric weights. She used bonded laser-cut sleeves for a floor-sweeping black tuxedo-style coat that was belted at the waist and featured ruffles at the shoulders.
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